The album I'm talking about today is Desert Butterflies, from Yossi Sassi, a founder of the metal band Orphaned Land, in this case full "owner" of the project.
I've
never done research on the music of Israel, and I do not know what kind of
fervor sound is in place, hidden - or enhanced - by problems of social and
political nature, so important to be able to influence artistic and cultural
aspects that are often the way escape to the serenity and personal revenge.
It
'was then with curiosity - and the next surprise - that I approached an unknown
world, which sees an absolute star - Yossi Sassi - genius of the instrument,
capable of inventing what for me is the first example of guitar / bouzouky,
time into a single "body", but careful enough in promoting the choral
expression at the expense enterprising staff.
Eleven
tracks to make a disc conceptual, focusing on the new challenges that escape
from the daily routine in an effort to create the conditions for a future based
on a better quality of life, and it is these concepts that unite the souls of
every country, even those in apparent state of peace.
The
music offered is something amazing, definitely a novelty for the Italian
public. The combination of rock and prog lines to the specific culture of the
place of origin create an unusual sound, where ethnic acoustic and electric
folk are added to the side, creating a product is not common, varied and
refined.
Yossi
uses 19 different types of guitars, with the aim to enhance the details of his
music, taking care of every facet that accompanies the melodic verse, those
oriental and the "hardness" that only a power group manages to
achieve success and to share with.
And
in this music that comes from Israel, there is also an Italian presence, for
the participation of "our" Mariangela Demurtas, Yossi mentioned in
the interview below.
Difficult
to provide a traditional location for the proposal of Sassi, and maybe the
follow video will clarify the ideas, but I want to emphasize how what we often
go to look for - a new sound - is that contained in Desert Butterflies, an album that could open the door to a parallel
conception of Music, a container waiting to be discovered and shared.
http://www.yossisassi.com/
http://www.yossisassi.com/
The Interview
How would you describe your music for
the Italian public and for those who do not know you?
The music is a merger
between roots and folklore from around the world, especially oriental and Mediterranean
roots, fused with contemporary music, with emphasis on rock. It’s a mix of
oriental rock with world music, and the journey you go through is diverse and
intense.
How was borne your passion for music
and what were your most important musical references?
I was born into a
family of music. My father was 4th child out of 10 brothers and sisters, all of
them play musical instruments or sing, or doing both. My grandfather Yossef
Sassi (I am his namesake) was a Bouzouki and Oud player, and teacher of Arabic
scales - makamat. My influences were my family, my father especially, and music
from all around the world - from Dead can Dance, to Joe Satriani, through Dream
Theater and up to Omar Faruk Takbilek.
You are considered a guitar hero, but
what emerges from listening to your music is a sound overall, as a team: am I
wrong?
Indeed, there is a
clear sense of a band. I am used to work with other musicians, perform and
cooperate in groups. In my solo group it is a team sound, although I compose
and arrange the songs, still each and every talented musician brings his color
and style.
Can you tell me something about this
new album, "Desert Butterflies"?
The new album 'Desert
Butterflies' was recorded in 4 countries and 3 continents, actually including a
singer from Sardinia, Mariangela Demurtas (Moonspell, Tristania). It features
musicians and good friends such as Marty Friedman, Ron 'Bumblefoot' Thal
(Guns'n'Roses) and many more. I play 19(!) different guitars there, and all
songs are part of a concept album, about the routine, following your dreams,
and leaving the familiar to new big challenges.
In one song there is an Italian
singer, Mariangela Demurtas: how started your collaboration?
Mariangela is a great
singer and amazing person. We met few years ago in some festivals, and I was impressed
by her voice and stage performance. I also have some Italian blood in me
(quarter Italian, from my father's side), maybe that's the reason we connected
well. Ever since we kept in touch, and when I was working on the song
'Believe', I was looking for a singer to sing in Spanish or Italian, and she
was the first to come in mind. She gave an amazing performance on the album, as
well as in live shows, when we play together.
I was intrigued by the
Bouzouki-Guitar, your invention: can you tell me about it?
It's one body, 2 necks,
3 souls / instruments - Electric, acoustic and bouzouki guitars in one
instrument. In 2011, I decided to plan an instrument that would later become an
embodiment of my musical journey. I had a clear need for an efficient way to
switch between the acoustic Greek Bouzouki to my electric guitar, and after
many tries and hard work, it gave birth to the "Bouzoukitara" - a
unique instrument that combines a traditional Greek mandolin (Bouzouki) with an
electric solid-body guitar. Together with Luthier Bejamin Millar, I was able to
transform this design into reality.
Could you tell me something about the
state of music in your country?
Sadly, music and
culture in general are not as big as I would hope them to be in Israel. Coming
from a region undergoing struggles and disputes, sometimes music steps aside to
more urgent issues. But that's also the reason why it's so important for me to
do music in my country, and for ALL the neighboring countries - music is the
true universal language that bridges between people. It has the power to unite
people where politicians fail. And that's where I pick up the guitar and do
what I love to do best!
Is there any chance to see you soon
in Italy, for a presentation of your album?
Sure! We’re working on
some dates for Europe, and Italy should be included. I've already toured in
Italy with my previous release 'Melting Clocks', in Prato and Milano, and
hopefully will be back soon. Grazie!